cover from a comic

Indigenous Resistance in Graphic Novels: Visual Stories That Lead

Tuesday, September 3, 4:00 pm via Zoom

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In this virtual presentation with Indigenous Mvskoke Artist Johnnie Diacon, Diacon will present his recent graphic novel in conversation with KSU faculty Dr. Miriam Brown Spiers, Associate Professor of English and American Studies, Graduate Program Director of American Studies and Native American and Indigenous Studies coordinator and Shuchita Mishra, Assistant Professor in Illustration and Sequential Art, School of Art and Design. 

headshot of a woman

Virtual Artist Lecture: Didi Dunphy

Thursday, September 12, 7:00 pm via Zoom

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Didi Dunphy is the juror for the Art Educators Biennial on view in the Fine Arts Gallery at KSU from September 3 to October 4, 2024. Dunphy will discuss her artistic practice and her most recent exhibition that was installed at Whitespace in Atlanta. Didi Dunphy is currently the Program Supervisor at the Lyndon House Arts Center, a civic arts campus dedicated to incorporating visual art and arts education with the mission of enriching the community of Athens GA, and beyond. Dunphy is a former Visiting Scholar and Professor in contemporary and digital media arts at the Lamar Dodd School of Art, UGA, who works as an independent curator in partnership with regional art museums. Her current program, Highlighting Contemporary Art in Georgia: Picture This is traveling throughout the state.  

image of a book

Cherokee Printing: Then and Now

Thursday, September 26, 11:00am via Zoom

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The ZMA will present an online conversation between an expert Cherokee syllabary scholar and printer, Frank Brannon and the curator of the KSU Cherokee collection held in the Bentley Rare Books Museum, JoyEllen Williams. Brannon will discuss his work creating a letterpress typeface of the Cherokee syllabary and using it to create hand-bound, hand-printed letterpress printed books in the Cherokee language.

photo of two men laying next to one another

Jeffrey Gibson: They Teach Love Reception

Wednesday, October 2, 7:00pm at the ZMA

In association with Atlanta Art Week

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Please join us at the Zuckerman Museum of Art during Atlanta Art Week for an exhibition reception celebrating Jeffrey Gibson’s exhibition, They Teach Love From the Collections of Jordan D. Schnitzer and His Family Foundation.

textile art piece

Visiting Artist Lecture: Rhiannon Skye Tafoya

Friday, October 11, 10:00am at Chastain Pointe

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Rhiannon Skye Tafoya is an interdisciplinary artist from the Eastern Band of Cherokee and the Santa Clara Pueblo Tribes. She earned a BFA in printmaking from the Institute of American Indian Arts in Santa Fe, NM, and an MFA in print media from Pacific Northwest College of Art in Portland, OR. She published her first artist book, Ul’nigid’ in 2020, and has exhibited work nationally and abroad in numerous group and solo exhibitions. She has been an artist-in-residence at notable institutions such as Crow’s Shadow Institute of the Arts (Pendleton, OR) and Kala Art Institute (Berkeley, CA) and University of Iowa Center for the Book (Iowa City, IA.) Her work is housed in many special collections, including the US Library of Congress, Kohler Art Library, the Bainbridge Museum of Art, National Museum of Women in the Arts, and the Museum of the Cherokee People. She currently lives and works in Cherokee, NC. Tafoya will present an artist talk along with a selection of her prints, paper weavings, and artist books for viewing before presenting a demonstration on processes related to her artistic practice. 

exterior of art museum

Community, Empowerment, and Visibility: National Coming Out Day

Friday, October 11, 11:00am at the ZMA

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In partnership with Department of Student Engagement and Belonging & LGBTQ Center at KSU

Please join us at the Zuckerman Museum of Art on National Coming Out day for monologues from students in Theatre Performance Studies and an empowering words poster printing workshop! This event is a collaborative effort with Department of Student Engagement and Belonging and the LGBTQ Center at KSU.

drum circle

Mindful Drumming

Friday, October 11, 2:00pm at the ZMA

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In association with Community, Empowerment, and Visibility: National Coming Out Day

Mindful Drumming is an experiential workshop based on the healing power of meditative drumming and mindfulness practices. Both traditions have been used by cultures around the world to help people better attune to themselves and others. Attend this hour-long workshop to learn and experience how drumming and mindfulness can help you relax, feel more alive, and even reduce stress, anxiety, and depression. Instruments will be provided, and no musical experience is required.

  • This workshop will be led by Greg Stevens, a Licensed Psychologist and the Associate Director of Clinical Services at the Kennesaw State University Counseling and Psychological Services. Before training as a psychologist, Greg performed as a musician for over a decade. During his doctoral training, he had the unique opportunity to learn about meditative drumming and develop an ongoing therapy group with a colleague that incorporated this with mindfulness. He has since continued leading Mindful Drumming therapy groups and workshops for the past seven years.
textile art piece

Printing Workshop with Rhiannon Skye Tafoya

Saturday, October 12, 12:00pm - 4:00pm at Chastain Pointe

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Rhiannon Skye Tafoya is an interdisciplinary indigenous artist from the Eastern Band of Cherokee and the Santa Clara Pueblo Tribes. Influenced by a strong lineage of basket-weavers both paternal and maternal, she continues to use paper-weaving processes to honor her loved ones and ancestors. Her meticulously crafted designs, patterns, prints, and weavings are influenced by basketry and contain themes of cultural teachings, Cherokee language preservation, motherhood and personal and family narratives. Her work is created to archive, preserve and share stories, language, culture, and experiences. Tafoya will present a selection of her prints, paper weavings, and artist books for viewing before conducting a workshop on processes related to her artistic practice. Utilizing the spacious printmaking studios at the School of Art and Design, workshop attendees will explore various relief printing and paper weaving techniques focusing on color, pattern, design and typography.  

hanging textile artwork

INTERCHANGE

Thursday, October 17, 7:00pm at the ZMA

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Jeffrey Gibson: They Teach Love presents a sweeping survey of over thirty-five objects spanning fifteen years. The exhibition includes prints, photography, painting, sculpture, installation, and video. The inclusion of contemporary adornment in fashion is influenced by intertribal powwows as well as the dance clubs where Gibson found safe spaces as a teenager. The exhibition’s centerpiece is an expansive and immersive work titled To Name An Other—fifty-one printed elk hide drums and fifty wearable garments, which was originally commissioned as a performance by the Smithsonian’s National Portrait Gallery in 2019. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work, which is represented in more than twenty permanent collections across the United States, is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago and received a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director. 


Organized by the Jordan Schnitzer Museum of Art. Support for this exhibition and related education and outreach programs has been made possible by a grant from the Jordan Schnitzer Family Foundation. 

art work shown on top of a drum

Artist Talk with Jeffrey Gibson & Collector Jordan Schnitzer

Thursday, October 17, 7:30pm at the Morgan Concert Hall

In association with INTERCHANGE

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Jeffrey Gibson: They Teach Love presents a sweeping survey of over thirty-five objects spanning fifteen years. The exhibition includes prints, photography, painting, sculpture, installation, and video. The inclusion of contemporary adornment in fashion is influenced by intertribal powwows as well as the dance clubs where Gibson found safe spaces as a teenager. The exhibition’s centerpiece is an expansive and immersive work titled To Name An Other—fifty-one printed elk hide drums and fifty wearable garments, which was originally commissioned as a performance by the Smithsonian’s National Portrait Gallery in 2019. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work, which is represented in more than twenty permanent collections across the United States, is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago and received a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and curated by Ryan Hardesty, Executive Director. 
Organized by the Jordan Schnitzer Museum of Art. Support for this exhibition and related education and outreach programs has been made possible by a grant from the Jordan Schnitzer Family Foundation.  

artwork on a wall

Matthew Kirk: Windgate Artist in Residence Lecture

Thursday, November 7, 5:00pm at the ZMA

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Matthew Kirk (b. 1978, Ganado, AZ) is an enrolled member of the Navajo Nation and currently lives and works in Brooklyn, New York. A self-taught artist, Kirk has worked for over twelve years in New York City as a professional art handler— a trade that has often influenced his artistic practice in terms of utilizing readily available materials to make his art. His gestural paintings and abstract assemblages are steeped in symbolism and iconography that relate to the visual language of the Navajo, while his use of the grid as compositional armature takes structural inspiration from traditional Navajo weavings and rugs, as well as topographical maps and urban landscapes. Kirk states, “Just as family, work, current events, and city life are reflected in the work, my Indian heritage plays an important, but nuanced role.” 

headshot of a woman

Visiting Artist Talk: Catherine Blackburn

Friday, November 15, 1:30pm at the ZMA

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The Artistic Practice of Wearable Art: Indigenous dress, Collaboration, and Community 

Inspired by her late Setsuné’s (grandmother) incredible garment making, hide-tanning and adornment, Catherine Blackburn’s work grounds itself in the Indigenous feminine. Join us for an artist talk in which she reflects on her wearable art practice and its intersection between Indigenous dress, collaboration, and community.   
  
Catherine Blackburn was born in Patuanak Saskatchewan and is a member of the English River First Nation (Denesųłiné). She is a multidisciplinary artist and jeweler, whose common themes address Canada's colonial past that are often prompted by personal narratives. Her work grounds itself in the Indigenous feminine and is bound by the ancestral love that stitching suggests. Through stitchwork, she explores Indigenous sovereignty, decolonization, and representation. Her work has been included in renowned national and international exhibitions including Radical Stitch, Àbadakone, Santa Fe Haute Couture Fashion Show, and Toronto Indigenous Fashion Week. She has received numerous awards including the Sobey Art Award longlist (2019/2023), a Forge Residency Fellowship (2022), and an Eiteljorg Fellowship (2021).  

beading art work

Applied Beading Workshop with Catherine Blackburn

Saturday, November 16, 12pm - 4:00pm at the ZMA

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Join Catherine for an Applied Beading Workshop inspired by Aboriginal Classics, a series of works exploring themes of identity, language, and story. Participants will learn applied beading basics on an unconventional medium that utilizes a teabag as the vessel and story-holder.