Mission & Values
In keeping with the University's mission of teaching, research, and service, the Bernard A. Zuckerman Museum of Art (ZMA) serves as a vital academic resource and cultural focus for students, faculty and members of the community and seeks to exhibit, collect, preserve, and interpret significant works of art. Through dynamic programming, we encourage the exchange of ideas that inspire, educate, and foster an appreciation of the visual arts in our community and the region.
The ZMA Art Collection is a repository for original works of art held in the public trust and serves as a valuable resource for research and education.
History
On March 1, 2014, the new building opened on the main campus of the University. As part of the greater KSU Arts District, the Zuckerman Museum of Art and its satellite spaces serve as a conduit between Kennesaw State and the greater community. The new building also provides a state-of -the-art home and research facility for the growing KSU permanent collection.
Learn more about the collection history of the Zuckerman Museum of Art.
Groundbreaking
Grand Opening
ZMA Events
June 2024
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
July 2024
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
August 2024
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Matthew Kirk (b. 1978, Ganado, Ariz.) is an enrolled member of the Navajo Nation and currently lives and works in Brooklyn, New York. A self-taught artist, Kirk’s abstract assemblages and paintings are steeped in symbolism and iconography that take inspiration from colors and patterns found in turn-of-the-century Navajo rugs. Kirk will be the Windgate Artist-in- Residence at KSU in Fall 2024.
In person lecture at the ZMA: November 7th, 5pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
September 2024
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBook artist and Cherokee syllabary printer Frank Brannon will host a virtual discussion with JoyEllen Williams, Special Collections Curator at the Bentley Rare Book Museum, housed within Kennesaw State University’s Department of Museums, Archives and Rare Books,. Brannon will discuss his work creating a cast lead typeface of the Cherokee syllabary and using it to create hand-bound, hand-printed letterpress printed books in the Cherokee language.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
October 2024
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCollaboration with Department of Student Engagement and Belonging and LGBTQ Center at KSU. More details TBA.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Bernard A. Zuckerman Museum of Art, a unit of the School of Art and Design, presents INTERCHANGE an annual collaboration featuring faculty from all disciplines of the College of the Arts. This unique presentation of live performances celebrates the creativity that all artistic disciplines share with one another and celebrates the many talents of our COTA faculty. This year, selected ArtsKSU faculty will perform in response to the exhibition Jeffrey Gibson: They Teach Love From the Collections of Jordan D. Schnitzer and His Family Foundation. Jeffrey Gibson will be present to speak about his work and in conversat----
Buy TicketsThe Bernard A. Zuckerman Museum of Art, a unit of the School of Art and Design, presents INTERCHANGE, an annual collaboration featuring faculty from all four disciplines of the College of the Arts. This unique presentation of live performances celebrates the creativity that all artistic disciplines share with one another.
Selected ArtsKSU faculty will perform in response to the exhibition Jeffrey Gibson: They Teach Love From the Collections of Jordan D. Schnitzer and His Family Foundation. Jeffrey Gibson will be present to speak about his work and in conversation with Jordan Schnitzer who will also be in attendance. This event is free but space is limited, so please register early.
Buy TicketsJeffrey Gibson will be present to speak about his work and in conversation with Jordan Schnitzer who will also be in attendance.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
November 2024
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsDecember 2024
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJanuary 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts which Couwenberg has completed as part of her studio practice and in partnerships with cultural institutions throughout North America, Europe, and Asia. These artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores Couwenberg’s depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwen----
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsFebruary 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsMarch 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsApril 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsPlease join us for the Spring Faculty Research Forum and author reception.
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsMay 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts which Couwenberg has completed as part of her studio practice and in partnerships with cultural institutions throughout North America, Europe, and Asia. These artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores Couwenberg’s depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwen----
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy Tickets
Zuckerman Museum of Art
492 Prillaman Way, MD 3104
Kennesaw, GA 30144
Regular hours:
Tuesday - Friday: 10:00 am - 5:00 pm
Saturday: 12:00 pm - 5:00 pm
Phone: 470-578-3223
Email: zma@kennesaw.edu
Fine Arts Gallery
471 Bartow Avenue,
Kennesaw, GA 30144
Located inside the Wilson Building across the Stillwell Theater.
Regular hours:
Tuesday & Thursday: 10:00 am - 5:00 pm
Wednesday & Friday: By appointment
Saturday: 12:00 pm - 5:00 pm
Phone: 470-578-2655
FREE ADMISSION: Docent-led tours and self-guided tours available upon request.
Important Note: The Zuckerman Museum of Art and our Fine Arts Satellite Gallery in the Wilson Building close during installation periods, and for Kennesaw State University breaks and holidays unless otherwise noted. Please see the KSU calendar for details.
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