June 2024
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
July 2024
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
The Zuckerman Museum of Art is pleased to present the work of Israeli artists Maya Gelfman and Roie Avidan known as Mind the Heart!, who served as the fall 2023 Windgate Artists-in-Residence, and artist Leandra Urrutia, who served as the spring 2024 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in this summer exhibition. Additionally, one artwork from each artist becomes part of the museum permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The 2024 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
August 2024
Come see the final product of 48-hours of art-making from inception to final product!
Buy TicketsDouble Exposure proudly presents two world premieres by nationally acclaimed choreographers Tristian Griffin and Christian Denice. Created exclusively for the KSU Dance Company, these works represent the culmination of the Pomare/Connor Summer Residency. This inspiring and dynamic evening of original concert dance promises to push the boundaries of artistic innovation.
Buy TicketsDouble Exposure proudly presents two world premieres by nationally acclaimed choreographers Tristian Griffin and Christian Denice. Created exclusively for the KSU Dance Company, these works represent the culmination of the Pomare/Connor Summer Residency. This inspiring and dynamic evening of original concert dance promises to push the boundaries of artistic innovation.
Buy TicketsFaculty Recital Series. Enjoy an evening of music featuring the double bass performed by Bailey School of Music faculty artist Leonardo Lopes.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsMatthew Kirk (b. 1978, Ganado, Ariz.) is an enrolled member of the Navajo Nation and currently lives and works in Brooklyn, New York. A self-taught artist, Kirk’s abstract assemblages and paintings are steeped in symbolism and iconography that take inspiration from colors and patterns found in turn-of-the-century Navajo rugs. Kirk will be the Windgate Artist-in- Residence at KSU in Fall 2024.
In person lecture at the ZMA: November 7th, 5pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsSeptember 2024
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsOrchestras Series. Enjoy a performance by the KSU Symphony Orchestra under the direction of Bailey School of Music Director of Orchestral Studies Nathaniel F. Parker.
Buy TicketsBREACH OF PEACE is based on true accounts of surviving participants of the Freedom Rides as well as many other individuals involved in the early struggle for African-American equality. This solo-play is a living monument to those remarkable young men and women of various races, religions and backgrounds who rose to face the dangers of fighting for just and equal treatment for all.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBREACH OF PEACE is based on true accounts of surviving participants of the Freedom Rides as well as many other individuals involved in the early struggle for African-American equality. This solo-play is a living monument to those remarkable young men and women of various races, religions and backgrounds who rose to face the dangers of fighting for just and equal treatment for all.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBREACH OF PEACE is based on true accounts of surviving participants of the Freedom Rides as well as many other individuals involved in the early struggle for African-American equality. This solo-play is a living monument to those remarkable young men and women of various races, religions and backgrounds who rose to face the dangers of fighting for just and equal treatment for all.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsFaculty Recital Series. The Summit Piano Trio—Bailey School of Music faculty artists Helen Kim, violin, Charae Krueger, cello, and Robert Henry, piano—presents an evening of chamber music.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Join Bailey School of Music faculty and student pianists as we celebrate through performance the addition of a brand new Steinway Concert Grand Piano to our all-Steinway fleet.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Faculty Recital Series. Enjoy an evening of music featuring the clarinet performed by Bailey School of Music faculty artist John Warren.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Faculty Recital Series. Enjoy an evening of music featuring the guitar performed by Bailey School of Music faculty artists Trey Wright and Sean Thrower.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsArtsKSU Series.A celebrated opera singer, recitalist, and cabaret artist, mezzo-soprano Stephanie Blythe is one of the most highly respected and critically acclaimed artists of her generation. Together with pianist Ryan McCullough, Ms. Blythe will take the audience on a lyrical journey highlighting one of the most important and celebrated musical artists in American Songbook history—and Georgia native—Johnny Mercer.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Join us for an immersive journey exploring cutting-edge student choreography in and around the dance studios at Chastain Pointe.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsFaculty Recital Series. Enjoy an evening of music featuring the piano performed by Bailey School of Music faculty artist and piano area coordinator Robert Henry.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBands & Percussion Series. Enjoy a performance by the KSU Wind Ensemble under the direction of Bailey School of Music Director of Bands David T. Kehler.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBook artist and Cherokee syllabary printer Frank Brannon will host a virtual discussion with JoyEllen Williams, Special Collections Curator at the Bentley Rare Book Museum, housed within Kennesaw State University’s Department of Museums, Archives and Rare Books,. Brannon will discuss his work creating a cast lead typeface of the Cherokee syllabary and using it to create hand-bound, hand-printed letterpress printed books in the Cherokee language.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsOctober 2024
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBarbecue centers on around the O'Mallerys, a dysfunctional group of siblings who come together for a park barbeque in order to stage an emergency intervention for their sister Barbara, whose drug habit has gotten out of hand. However, there are in fact two O'Mallery families, one White and one Black. Each appear in different, yet similar scenes that juxtapose to create a dialogue about racial and family politics.
Buy TicketsJazz Series. Enjoy a performance by KSU Jazz Ensemble I led by Bailey School of Music Director of Jazz Studies Sam Skelton.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBarbecue centers on around the O'Mallerys, a dysfunctional group of siblings who come together for a park barbeque in order to stage an emergency intervention for their sister Barbara, whose drug habit has gotten out of hand. However, there are in fact two O'Mallery families, one White and one Black. Each appear in different, yet similar scenes that juxtapose to create a dialogue about racial and family politics.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Choral & Opera Series. Enjoy an evening of choral music performed by the KSU Treble Choir, Men’s Ensemble, Chorale, and Chamber Singers.
Buy TicketsBarbecue centers on around the O'Mallerys, a dysfunctional group of siblings who come together for a park barbeque in order to stage an emergency intervention for their sister Barbara, whose drug habit has gotten out of hand. However, there are in fact two O'Mallery families, one White and one Black. Each appear in different, yet similar scenes that juxtapose to create a dialogue about racial and family politics.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBarbecue centers on around the O'Mallerys, a dysfunctional group of siblings who come together for a park barbeque in order to stage an emergency intervention for their sister Barbara, whose drug habit has gotten out of hand. However, there are in fact two O'Mallery families, one White and one Black. Each appear in different, yet similar scenes that juxtapose to create a dialogue about racial and family politics.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBarbecue centers on around the O'Mallerys, a dysfunctional group of siblings who come together for a park barbeque in order to stage an emergency intervention for their sister Barbara, whose drug habit has gotten out of hand. However, there are in fact two O'Mallery families, one White and one Black. Each appear in different, yet similar scenes that juxtapose to create a dialogue about racial and family politics.
Buy TicketsBarbecue centers on around the O'Mallerys, a dysfunctional group of siblings who come together for a park barbeque in order to stage an emergency intervention for their sister Barbara, whose drug habit has gotten out of hand. However, there are in fact two O'Mallery families, one White and one Black. Each appear in different, yet similar scenes that juxtapose to create a dialogue about racial and family politics.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBarbecue centers on around the O'Mallerys, a dysfunctional group of siblings who come together for a park barbeque in order to stage an emergency intervention for their sister Barbara, whose drug habit has gotten out of hand. However, there are in fact two O'Mallery families, one White and one Black. Each appear in different, yet similar scenes that juxtapose to create a dialogue about racial and family politics.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJazz Series. Enjoy performances by KSU Jazz Ensembles II & III led by Bailey School of Music faculty.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Orchestras Series. Enjoy a performance by the KSU Philharmonic Orchestra led by Bailey School of Music faculty Nancy Conley.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCollaboration with Department of Student Engagement and Belonging and LGBTQ Center at KSU. More details TBA.
Buy TicketsCelebrating its twelfth year, this inspiring, celebratory, and thought-provoking performance features coming-out stories, musical acts, and more from KSU and metro-area communities, performed by KSU students.
Buy TicketsOrchestras Series. Enjoy a performance by the KSU Symphony Orchestra under the direction of Bailey School of Music Director of Orchestral Studies Nathaniel F. Parker.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCelebrating its twelfth year, this inspiring, celebratory, and thought-provoking performance features coming-out stories, musical acts, and more from KSU and metro-area communities, performed by KSU students.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsFaculty Recital Series. Enjoy an evening of jazz performed by the Bailey School of Music’s Faculty Jazz Parliament.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 16, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Bernard A. Zuckerman Museum of Art, a unit of the School of Art and Design, presents INTERCHANGE an annual collaboration featuring faculty from all disciplines of the College of the Arts. This unique presentation of live performances celebrates the creativity that all artistic disciplines share with one another and celebrates the many talents of our COTA faculty. This year, selected ArtsKSU faculty will perform in response to the exhibition Jeffrey Gibson: They Teach Love From the Collections of Jordan D. Schnitzer and His Family Foundation. Jeffrey Gibson will be present to speak about his work and in conversat----
Buy TicketsThe Bernard A. Zuckerman Museum of Art, a unit of the School of Art and Design, presents INTERCHANGE, an annual collaboration featuring faculty from all four disciplines of the College of the Arts. This unique presentation of live performances celebrates the creativity that all artistic disciplines share with one another.
Selected ArtsKSU faculty will perform in response to the exhibition Jeffrey Gibson: They Teach Love From the Collections of Jordan D. Schnitzer and His Family Foundation. Jeffrey Gibson will be present to speak about his work and in conversation with Jordan Schnitzer who will also be in attendance. This event is free but space is limited, so please register early.
Buy TicketsJeffrey Gibson will be present to speak about his work and in conversation with Jordan Schnitzer who will also be in attendance.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThrough this workshop undergraduate students will share their works in progress through presentations and open Q&A discussion.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 16, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsFaculty Recital Series. Enjoy an evening of music for violin and piano performed by Bailey School of Music faculty artists Adelaide Federici and Robert Henry.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsChamber Music Series. Enjoy an evening of performances by Bailey School of Music student instrumental chamber ensembles.
Buy TicketsChamber Music Series. Enjoy an evening of performances by Bailey School of Music student instrumental chamber ensembles.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Capstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsNovember 2024
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsChamber Music Series. Enjoy an evening of performances by some of the most talented student instrumentalists in the Bailey School of Music, as they compete in the final round of the annual BSOM Concerto Competition.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Capstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsJazz Series. Enjoy a performance by KSU Jazz Ensemble I led by Bailey School of Music Director of Jazz Studies Sam Skelton.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsJazz Series. Enjoy an evening of performances by the Bailey School of Music Vocal Jazz Ensemble, Jazz Guitar Ensemble, and Jazz piano students.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Join our faculty in our 6th Annual Faculty Research in the Arts Colloquium.
Buy TicketsPippin is the story of one young man's journey to be extraordinary. Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day. Featuring an unforgettable score from musical theatre giant Stephen Schwartz. Originally Produced on the Broadway Stage by Stuart Ostrow. Directed on the Broadway Stage by Bob Fosse. 2013 Broadway Revival Directed by Diane Paulus. Orchestrations for 2013 Revival by Larry Hochman
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
ArtsKSU Series. Hailed for their outstanding musicianship, the Arianna String Quartet has established itself as one of America's finest chamber ensembles. Their performances have been praised for “tonal warmth, fastidious balance and expressive vitality” (Chicago Tribune) and “emotional commitment and fluent virtuosity,” (Pretoria News, South Africa). Formed in 1992, the ASQ garnered national attention by winning the Grand Prize in the Fischoff Chamber Music Competition, First Prize in both the Coleman and Carmel Chamber Music Competitions, and were Laureates in the Bordeaux International String Quartet Competition.
Buy TicketsPippin is the story of one young man's journey to be extraordinary. Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day. Featuring an unforgettable score from musical theatre giant Stephen Schwartz. Originally Produced on the Broadway Stage by Stuart Ostrow. Directed on the Broadway Stage by Bob Fosse. 2013 Broadway Revival Directed by Diane Paulus. Orchestrations for 2013 Revival by Larry Hochman
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: October 30, 5pm - 7:30pm
Buy TicketsPippin is the story of one young man's journey to be extraordinary. Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day. Featuring an unforgettable score from musical theatre giant Stephen Schwartz. Originally Produced on the Broadway Stage by Stuart Ostrow. Directed on the Broadway Stage by Bob Fosse. 2013 Broadway Revival Directed by Diane Paulus. Orchestrations for 2013 Revival by Larry Hochman
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsPippin is the story of one young man's journey to be extraordinary. Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day. Featuring an unforgettable score from musical theatre giant Stephen Schwartz. Originally Produced on the Broadway Stage by Stuart Ostrow. Directed on the Broadway Stage by Bob Fosse. 2013 Broadway Revival Directed by Diane Paulus. Orchestrations for 2013 Revival by Larry Hochman
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsChoral & Opera Series. Enjoy an evening of choral music performed by the KSU Treble Choir, Men’s Ensemble, Chorale, and Chamber Singers.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsOrchestras Series. Enjoy a performance by the KSU Philharmonic Orchestra led by Bailey School of Music faculty Nancy Conley.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsThis concert features works created by our esteemed faculty and performed by our celebrated KSU Dance Company. The program will include both classical and contemporary dance, highlighting the universal need to move, connect, and simply be with others. Join us for an evening of unparalleled artistry and innovation that defines KSU Dance.
Buy TicketsPippin is the story of one young man's journey to be extraordinary. Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day. Featuring an unforgettable score from musical theatre giant Stephen Schwartz. Originally Produced on the Broadway Stage by Stuart Ostrow. Directed on the Broadway Stage by Bob Fosse. 2013 Broadway Revival Directed by Diane Paulus. Orchestrations for 2013 Revival by Larry Hochman
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsLive cello melodies enhance this multisensory, immersive adventure through the Children’s Forest at Swift-Cantrell Park. Crafted by KSU students, faculty, and local artists to explore nature’s rhythms, Opossum and the Season Stone is designed for children ages 0-8 and their caregivers. Presented in collaboration with KSU’s Department of Theatre and Performance Studies; Smith Gilbert Gardens, City of Kennesaw Botanical Garden; and the City of Kennesaw Parks and Recreation Department. Costumes created in partnership with KSU School of Art and Design’s Textiles program.
Bands & Percussion Series. Enjoy a performance by the KSU Wind Ensemble under the direction of Bailey School of Music Director of Bands David T. Kehler.
Buy TicketsPippin is the story of one young man's journey to be extraordinary. Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day. Featuring an unforgettable score from musical theatre giant Stephen Schwartz. Originally Produced on the Broadway Stage by Stuart Ostrow. Directed on the Broadway Stage by Bob Fosse. 2013 Broadway Revival Directed by Diane Paulus. Orchestrations for 2013 Revival by Larry Hochman
Buy TicketsThis concert features works created by our esteemed faculty and performed by our celebrated KSU Dance Company. The program will include both classical and contemporary dance, highlighting the universal need to move, connect, and simply be with others. Join us for an evening of unparalleled artistry and innovation that defines KSU Dance.
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Live cello melodies enhance this multisensory, immersive adventure through the Children’s Forest at Swift-Cantrell Park. Crafted by KSU students, faculty, and local artists to explore nature’s rhythms, Opossum and the Season Stone is designed for children ages 0-8 and their caregivers. Presented in collaboration with KSU’s Department of Theatre and Performance Studies; Smith Gilbert Gardens, City of Kennesaw Botanical Garden; and the City of Kennesaw Parks and Recreation Department. Costumes created in partnership with KSU School of Art and Design’s Textiles program.
Live cello melodies enhance this multisensory, immersive adventure through the Children’s Forest at Swift-Cantrell Park. Crafted by KSU students, faculty, and local artists to explore nature’s rhythms, Opossum and the Season Stone is designed for children ages 0-8 and their caregivers. Presented in collaboration with KSU’s Department of Theatre and Performance Studies; Smith Gilbert Gardens, City of Kennesaw Botanical Garden; and the City of Kennesaw Parks and Recreation Department. Costumes created in partnership with KSU School of Art and Design’s Textiles program.
Pippin is the story of one young man's journey to be extraordinary. Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day. Featuring an unforgettable score from musical theatre giant Stephen Schwartz. Originally Produced on the Broadway Stage by Stuart Ostrow. Directed on the Broadway Stage by Bob Fosse. 2013 Broadway Revival Directed by Diane Paulus. Orchestrations for 2013 Revival by Larry Hochman
Buy TicketsThis concert features works created by our esteemed faculty and performed by our celebrated KSU Dance Company. The program will include both classical and contemporary dance, highlighting the universal need to move, connect, and simply be with others. Join us for an evening of unparalleled artistry and innovation that defines KSU Dance.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsPippin is the story of one young man's journey to be extraordinary. Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day. Featuring an unforgettable score from musical theatre giant Stephen Schwartz. Originally Produced on the Broadway Stage by Stuart Ostrow. Directed on the Broadway Stage by Bob Fosse. 2013 Broadway Revival Directed by Diane Paulus. Orchestrations for 2013 Revival by Larry Hochman
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsBands & Percussion Series. Enjoy performances by the KSU University Band and KSU Wind Symphony under the direction of Bailey School of Music faculty.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJazz Series. Enjoy performances by KSU Jazz Ensembles II & III led by Bailey School of Music faculty.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsOrchestras Series. Enjoy a performance by the KSU Symphony Orchestra under the direction of Bailey School of Music Director of Orchestral Studies Nathaniel F. Parker.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsCome join our College of the Arts students presenting at the Fall Symposium of Student Scholars showcases research.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsCome join our College of the Arts students presenting at the Fall Symposium of Student Scholars showcases research.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsCome join our College of the Arts students presenting at the Fall Symposium of Student Scholars showcases research.
Live cello melodies enhance this multisensory, immersive adventure through the Children’s Forest at Swift-Cantrell Park. Crafted by KSU students, faculty, and local artists to explore nature’s rhythms, Opossum and the Season Stone is designed for children ages 0-8 and their caregivers. Presented in collaboration with KSU’s Department of Theatre and Performance Studies; Smith Gilbert Gardens, City of Kennesaw Botanical Garden; and the City of Kennesaw Parks and Recreation Department. Costumes created in partnership with KSU School of Art and Design’s Textiles program.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsLive cello melodies enhance this multisensory, immersive adventure through the Children’s Forest at Swift-Cantrell Park. Crafted by KSU students, faculty, and local artists to explore nature’s rhythms, Opossum and the Season Stone is designed for children ages 0-8 and their caregivers. Presented in collaboration with KSU’s Department of Theatre and Performance Studies; Smith Gilbert Gardens, City of Kennesaw Botanical Garden; and the City of Kennesaw Parks and Recreation Department. Costumes created in partnership with KSU School of Art and Design’s Textiles program.
Live cello melodies enhance this multisensory, immersive adventure through the Children’s Forest at Swift-Cantrell Park. Crafted by KSU students, faculty, and local artists to explore nature’s rhythms, Opossum and the Season Stone is designed for children ages 0-8 and their caregivers. Presented in collaboration with KSU’s Department of Theatre and Performance Studies; Smith Gilbert Gardens, City of Kennesaw Botanical Garden; and the City of Kennesaw Parks and Recreation Department. Costumes created in partnership with KSU School of Art and Design’s Textiles program.
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: November 13, 2024 5pm - 7:30pm
Buy TicketsJeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
December 2024
The Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsBands & Percussion Series. Enjoy a performance by the KSU Percussion Ensemble under the direction of Bailey School of Music Director of Percussion Studies John Lawless.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe KSU Tellers invite you to join them as they present their best solo performances from the Fall semester. This event may not be suitable for audiences under the age of 16.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsThe KSU Tellers invite you to join them as they present their best solo performances from the Fall semester. This event may not be suitable for audiences under the age of 16.
Buy TicketsThe Ruth Zuckerman Pavilion at the Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.
Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.
Opening Reception: October 2nd, 2024
Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
Buy TicketsJoin the Bailey School of Music choirs, Symphony Orchestra, and Wind Ensemble for this special performance featuring holiday favorites for the whole family.
Buy TicketsJoin the Bailey School of Music choirs, Symphony Orchestra, and Wind Ensemble for this special performance featuring holiday favorites for the whole family.
Buy TicketsOur resident improv ensemble offers an evening of performances on the fly. Side-splitting, surprising, and at times, absolutely silly.
Our resident improv ensemble offers an evening of performances on the fly. Side-splitting, surprising, and at times, absolutely silly.
January 2025
A musical theatre showcase created by KSU students.
ArtsKSU Series. Now in his third decade as a much sought-after performing artist, Canadian pianist Robert Koenig has performed throughout the world to great acclaim as a collaborative pianist and chamber musician. His partnerships with many of today’s leading classical artists have seen him grace many of the world's most important stages including New York’s Carnegie Hall and Lincoln Center, Washington’s Kennedy Center for the Performing Arts, Boston’s Jordan Hall, San Francisco’s Herbst Theater, Seattle’s Benaroya Hall, Vancouver’s Chan Center, Tokyo’s Suntory Hall, Taiwan’s National Theater, Hong Kong’s City Hall, London’s Queen Elizabeth Hall, Paris’ Louvre Museum, Brussels’ BOZAR, and Amsterdam’s Het Concertgebouw. Mr. Koenig’s performance will feature both solo piano works and collaborations with Bailey School of Music faculty artists.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts which Couwenberg has completed as part of her studio practice and in partnerships with cultural institutions throughout North America, Europe, and Asia. These artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores Couwenberg’s depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwen----
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsFebruary 2025
Juried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsFaculty Recital Series. Join Bailey School of Music faculty artists for a performance celebrating Laurence Sherr's 30-year tenure as BSOM composer-in-residence.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsOrchestras Series. Enjoy a performance by the KSU Symphony Orchestra under the direction of Bailey School of Music Director of Orchestral Studies Nathaniel F. Parker.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsA season highlight, the Collage Concert is the signature showcase of the Bailey School of Music. This unique production features over 200 student and faculty performers in jazz, orchestra, choir, band, percussion, opera, chamber groups, and more. Proceeds and donations from this event help make the study of music more affordable to KSU students through scholarships.
Buy TicketsA season highlight, the Collage Concert is the signature showcase of the Bailey School of Music. This unique production features over 200 student and faculty performers in jazz, orchestra, choir, band, percussion, opera, chamber groups, and more. Proceeds and donations from this event help make the study of music more affordable to KSU students through scholarships.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsArtsKSU Series. Join Bailey School of Music faculty and student performers for an evening of music written by guest composer-in-residence Stacy Garrop. Garrop has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsScottish general Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsScottish general Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
Buy TicketsAn exceptional dancer, Anne Plamondon also traces her path as a choreographer. Her new creation Myokine - focuses on the body in its entirety and lets the voice emerge to express very current concerns.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsScottish general Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
Buy TicketsAn exceptional dancer, Anne Plamondon also traces her path as a choreographer. Her new creation Myokine - focuses on the body in its entirety and lets the voice emerge to express very current concerns.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsScottish general Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJazz Series. Enjoy a performance by KSU Jazz Ensemble I led by Bailey School of Music Director of Jazz Studies Sam Skelton.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsScottish general Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsScottish general Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsScottish general Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsScottish general Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsJazz Series. Enjoy performances by KSU Jazz Ensembles II & III led by Bailey School of Music faculty.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsBands & Percussion Series. Enjoy a performance by the KSU Wind Ensemble under the direction of Bailey School of Music Director of Bands David T. Kehler.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsOrchestras Series. Enjoy a performance by the KSU Philharmonic Orchestra led by Bailey School of Music faculty Nancy Conley.
Buy TicketsJuried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsChoral & Opera Series. Enjoy an evening of choral music performed by the KSU Treble Choir, Men’s Ensemble, Chorale, and Chamber Singers.
Buy TicketsMarch 2025
Juried by Matthew Kirk Opening reception: January 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsFaculty Recital Series. Enjoy an evening of jazz performed by the Bailey School of Music’s Faculty Jazz Parliament.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsOrchestras Series. Enjoy a performance by the KSU Symphony Orchestra under the direction of Bailey School of Music Director of Orchestral Studies Nathaniel F. Parker.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsFaculty Recital Series. Enjoy an evening of music featuring the piano performed by Bailey School of Music faculty artist and piano area coordinator Robert Henry.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsIn pursuit of embodying classical ballet’s elegance and harnessing the vibrant energy of contemporary dance, Terminus Modern Ballet Theatre opens its 2025 Spring Season with “Duality.” The performance showcases two dance works, including a highly anticipated world premiere by esteemed choreographer Frank Chaves. The extraordinary dancers of Terminus, celebrated for their technical prowess and artistic expression, invite you to experience an interconnected world where mind, body, and spirit converge.
Tickets sold by Terminus
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsIn pursuit of embodying classical ballet’s elegance and harnessing the vibrant energy of contemporary dance, Terminus Modern Ballet Theatre opens its 2025 Spring Season with “Duality.” The performance showcases two dance works, including a highly anticipated world premiere by esteemed choreographer Frank Chaves. The extraordinary dancers of Terminus, celebrated for their technical prowess and artistic expression, invite you to experience an interconnected world where mind, body, and spirit converge.
Tickets sold by Terminus
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsIn pursuit of embodying classical ballet’s elegance and harnessing the vibrant energy of contemporary dance, Terminus Modern Ballet Theatre opens its 2025 Spring Season with “Duality.” The performance showcases two dance works, including a highly anticipated world premiere by esteemed choreographer Frank Chaves. The extraordinary dancers of Terminus, celebrated for their technical prowess and artistic expression, invite you to experience an interconnected world where mind, body, and spirit converge.
Tickets sold by Terminus
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsFaculty Recital Series. Enjoy an evening of music featuring the piano performed by Bailey School of Music faculty artist Eric Jenkins.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsArtsKSU Series. Roomful of Teeth is a Grammy-winning vocal band dedicated to reimagining the expressive potential of the human voice. By engaging collaboratively with artists, thinkers, and community leaders from around the world, the group seeks to uplift and amplify voices old and new while creating and performing meaningful and adventurous music. As the world rapidly changes, Roomful of Teeth is cultivating deeper relationships with technology, continuing to explore and expand the artistic reach of the human voice.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsFaculty Recital Series. The Summit Piano Trio—Bailey School of Music faculty artists Helen Kim, violin, Charae Krueger, cello, and Robert Henry, piano—presents an evening of chamber music.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsArtsKSU Series. Korean-American violinist Soovin Kim is an exciting player who has built on the early successes of his prize-winning years to emerge as a mature and communicative artist. After winning first prize at the Niccolò Paganini International Competition, Mr. Kim was recipient of the prestigious Borletti-Buitoni Trust Award, an Avery Fisher Career Grant, and the Henryk Szeryng Foundation Career Award. Today he enjoys a broad musical career, regularly performing repertoire such as Bach sonatas and Paganini caprices for solo violin, sonatas for violin and piano by Beethoven, Brahms, and Ives, string quartets, Mozart and Haydn concertos and symphonies as a conductor, and new world-premiere works almost every season.
Buy TicketsA post-apocalyptic vaudeville, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog, a young human undergoing a voluntary species demotion, as they walk through the wilderness of the former Northeast U.S. with their little troupe.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsA post-apocalyptic vaudeville, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog, a young human undergoing a voluntary species demotion, as they walk through the wilderness of the former Northeast U.S. with their little troupe.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsA post-apocalyptic vaudeville, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog, a young human undergoing a voluntary species demotion, as they walk through the wilderness of the former Northeast U.S. with their little troupe.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCome join the Department of Dance in an exciting afternoon of dance presented around the Campus Green on the Kennesaw Campus.
A post-apocalyptic vaudeville, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog, a young human undergoing a voluntary species demotion, as they walk through the wilderness of the former Northeast U.S. with their little troupe.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsA post-apocalyptic vaudeville, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog, a young human undergoing a voluntary species demotion, as they walk through the wilderness of the former Northeast U.S. with their little troupe.
Buy TicketsA post-apocalyptic vaudeville, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog, a young human undergoing a voluntary species demotion, as they walk through the wilderness of the former Northeast U.S. with their little troupe.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsA post-apocalyptic vaudeville, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog, a young human undergoing a voluntary species demotion, as they walk through the wilderness of the former Northeast U.S. with their little troupe.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsApril 2025
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: March 26, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCampus Members of the Class of 2025 share original works of choreography, captivating screendance, and groundbreaking dance research.
Capstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCampus Members of the Class of 2025 share original works of choreography, captivating screendance, and groundbreaking dance research.
Capstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsHailed as a "revelatory revue full of wonderful moments" and a "funny, affectionate and revealing tribute to musical theater's greatest living composer and lyricist," Sondheim on Sondheim is an intimate portrait of the famed songwriter in his own words... and music. Through the use of exclusive interview footage, audiences get an inside look at the personal life and artistic process of famed composer, Stephen Sondheim. This production is a collaboration between KSU's Department of Theater and Performance Studies, Opera Theater, and Symphony Orchestra.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsHailed as a "revelatory revue full of wonderful moments" and a "funny, affectionate and revealing tribute to musical theater's greatest living composer and lyricist," Sondheim on Sondheim is an intimate portrait of the famed songwriter in his own words... and music. Through the use of exclusive interview footage, audiences get an inside look at the personal life and artistic process of famed composer, Stephen Sondheim. This production is a collaboration between KSU's Department of Theater and Performance Studies, Opera Theater, and Symphony Orchestra.
Buy TicketsHailed as a "revelatory revue full of wonderful moments" and a "funny, affectionate and revealing tribute to musical theater's greatest living composer and lyricist," Sondheim on Sondheim is an intimate portrait of the famed songwriter in his own words... and music. Through the use of exclusive interview footage, audiences get an inside look at the personal life and artistic process of famed composer, Stephen Sondheim. This production is a collaboration between KSU's Department of Theater and Performance Studies, Opera Theater, and Symphony Orchestra.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsHailed as a "revelatory revue full of wonderful moments" and a "funny, affectionate and revealing tribute to musical theater's greatest living composer and lyricist," Sondheim on Sondheim is an intimate portrait of the famed songwriter in his own words... and music. Through the use of exclusive interview footage, audiences get an inside look at the personal life and artistic process of famed composer, Stephen Sondheim. This production is a collaboration between KSU's Department of Theater and Performance Studies, Opera Theater, and Symphony Orchestra.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsHailed as a "revelatory revue full of wonderful moments" and a "funny, affectionate and revealing tribute to musical theater's greatest living composer and lyricist," Sondheim on Sondheim is an intimate portrait of the famed songwriter in his own words... and music. Through the use of exclusive interview footage, audiences get an inside look at the personal life and artistic process of famed composer, Stephen Sondheim. This production is a collaboration between KSU's Department of Theater and Performance Studies, Opera Theater, and Symphony Orchestra.
Buy TicketsJazz Series. Enjoy performances by KSU Jazz Ensembles II & III led by Bailey School of Music faculty.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsChamber Music Series. Enjoy an evening of performances by Bailey School of Music student instrumental chamber ensembles.
Buy TicketsChamber Music Series. Enjoy an evening of performances by Bailey School of Music student instrumental chamber ensembles.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsUndergraduate student presentations from the School of Art & Design, Bailey School of Music, Department of Theatre and Performance Studies, and Department of Dance.
Jazz Series. Enjoy an evening of performances by the Bailey School of Music Vocal Jazz Ensemble, Jazz Guitar Ensemble, and Jazz piano students.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsUndergraduate student presentations from the School of Art & Design, Bailey School of Music, Department of Theatre and Performance Studies, and Department of Dance.
Please join us for the Spring Faculty Research Forum and author reception.
Buy TicketsPlease join us for the Spring Faculty Research Forum and author reception.
Capstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsUndergraduate student presentations from the School of Art & Design, Bailey School of Music, Department of Theatre and Performance Studies, and Department of Dance.
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening Reception: April 9th, 5pm - 7:30pm
Buy TicketsOriginal works created by KSU students.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities. Students pursuing a concentration in Art History will develop a rigorous research project in preparation for publication and presentation as a public lecture.
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsJazz Series. Enjoy a performance by KSU Jazz Ensemble I led by Bailey School of Music Director of Jazz Studies Sam Skelton.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsOrchestras Series. Enjoy a performance by the KSU Philharmonic Orchestra led by Bailey School of Music faculty Nancy Conley.
Buy TicketsThe KSU Tellers invite you to join them as they present their best solo performances from the Spring semester. This event may not be suitable for audiences under the age of 16.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsChoral & Opera Series. Enjoy an evening of choral music performed by the KSU Treble Choir, Men’s Ensemble, Chorale, and Chamber Singers.
Buy TicketsThe KSU Tellers invite you to join them as they present their best solo performances from the Spring semester. This event may not be suitable for audiences under the age of 16.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsThe Student Dance Concert features a compilation of captivating student works set on the KSU Dance Company. This curated event celebrates the diversity and creative talents of our students.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsThe Student Dance Concert features a compilation of captivating student works set on the KSU Dance Company. This curated event celebrates the diversity and creative talents of our students.
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsBands & Percussion Series. Enjoy a performance by the KSU Percussion Ensemble under the direction of Bailey School of Music Director of Percussion Studies John Lawless.
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsMay 2025
Capstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsCapstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsOur resident improv ensemble offers an evening of performances on the fly. Side-splitting, surprising, and at times, absolutely silly.
Capstone exhibitions showcase the artwork of seniors completing their Bachelor of Fine Arts degrees. Using various disciplines and materials, the students exhibit their individual styles and conceptual abilities.
Opening reception: April 23, 5pm - 7:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsOur resident improv ensemble offers an evening of performances on the fly. Side-splitting, surprising, and at times, absolutely silly.
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.
In-person Lecture: April 2nd, 3:30pm
Buy TicketsAnnet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts which Couwenberg has completed as part of her studio practice and in partnerships with cultural institutions throughout North America, Europe, and Asia. These artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores Couwenberg’s depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwen----
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